Social norms action with informed and engaged societies
After nearly 28 years, The Communication Initiative (The CI) Global is entering a new chapter. Following a period of transition, the global website has been transferred to the University of the Witwatersrand (Wits) in South Africa, where it will be administered by the Social and Behaviour Change Communication Division. Wits' commitment to social change and justice makes it a trusted steward for The CI's legacy and future.
 
Co-founder Victoria Martin is pleased to see this work continue under Wits' leadership. Victoria knows that co-founder Warren Feek (1953–2024) would have felt deep pride in The CI Global's Africa-led direction.
 
We honour the team and partners who sustained The CI for decades. Meanwhile, La Iniciativa de Comunicación (CILA) continues independently at lainiciativadecomunicacion.com and is linked with The CI Global site.
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Art and Upheaval

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The United States (US)-based Center for the Study of Art and Community (CSAC) carried out an 8-year-long field research project to document the efforts of artists working to help resolve conflict, promote peace, and rebuild civil society in communities in upheaval around the world. Research was conducted in places as diverse as Northern Ireland, Cuba, Littleton, Colorado (Columbine High School), and so on. More than 20 stories were documented; those from Northern Ireland, Cambodia, South Africa, United States (Watts, Los Angeles, California), aboriginal Australia, and Serbia were published in an August 2008 book.
Communication Strategies

Artists working under a variety of difficult conditions in disparate parts of the world have helped to mediate conflicts, rebuild public infrastructure, heal physical and psychic trauma, and give new voice to the forgotten and disappeared. This project used field research to document the history and practices of such artists. The research was conducted with an eye to providing insight into how the creative process is being used to mitigate violence, destruction, dislocation, and despair. A book will be published to share these stories. It includes the programme histories, research, and descriptions of the wide variety of artistic, educational, and healing approaches used by the various initiatives and programmes. It also recounts many of the financial, social, and political strategies employed to build and sustain support for these endeavours.

To cite one example of a project unearthed through this research, the Community Arts Forum in Belfast is an artist-run, community-based organisation that uses art to mitigate violence and mistrust in Northern Ireland. Artists have worked to provide a creative voice for communities through community-originated theatre productions, mural programmes, festivals, and work with prisoners, people with disabilities, and patients in hospitals and mental health facilities.

This research culminated in a publication titled "Art and Upheaval: Artists on the World's Frontlines".

Development Issues

Conflict.

Key Points

According to organisers, the activities of artists in places vulnerable to continued conflict, like Northern Ireland, Eritrea, Cambodia, and Bosnia, are largely unknown. They point out that human creativity "can help us heal the deepest and most destructive of our self-inflicted wounds." In short, the driving conviction is that art can be a powerful agent of personal, institutional, and community change.

Sources
Teaser Image
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